編織著季節性的期待與群聚時的溫暖，透過重複的搭接方式，

轉譯植物有機框架下一種平衡的組織架構，

穩定的蔓延中創造個體在空間中的存在定義，

過濾掉節慶時多餘的包裝，保留環境條件下而產生的圍爐意象。

另一種層面，植物的焚毀消耗，改變著億萬年演變至今的環境以及

每一個物種比例涵構上的相對關係，框架中的侘寂，除了意境上的詮釋，

更多的是我們正在面臨資源有限的懸殊差距下，所必須急迫做出改變的行為模式。

As the reunion festive approached, expectation interweaved with the feeling of warmth had also arisen.

By stacking, bonding, and repeating layers of wooden grid,

the installation transformed plants by their organic shape into a mass of systematic structure,

meanwhile defining its existence by steadily extended to the space surrounded.

Without over-packaged, the installation retained its simplicity to create an imagery of festive gathering around the fireplace.

The idea of incinerated nature, on the other hand, was also an issue underlined in the project.

With few pieces of withered leaves scattered on the edges of wood,

and a sense of beauty in its imperfection, the project implies the uneven distribution of resources in the world,

and pointing out an unbalanced relation between nature and human being along the evolutionary history of life on Earth.

With that in mind, it is a strong reminder that imperative actions must be taken... 

主辦單位｜新光三越 

合辦單位｜台北市文化局2016台北世界設計之都設計響應活動

策展單位｜唐草設計有限公司

製作暨贊助單位｜台灣金屬創意館

協辦單位｜NO ART NO FUN 

發起人｜劉小康 Freeman Lau 

策展人｜胡佑宗 （Hugh HU）

協同策展人｜陳國政 Maurice Chen

製作統籌｜杜文傑 Jack Do、涂俊益 Chun - Yi Tu 

行銷企劃｜吳商平 Sean Wu、范雅雯 Ya - Wen Fan

鹿頭原型設計｜林立瑜 Li Yu Lin

美術設計｜角白設計 WHITE Design

攝影｜Alonso Chiang