在優良設計獎中，下列五個辭彙可以代表「優良設計獎的理念」，同時也正是我們念茲在茲的核心課題。
人性(HUMANITY)：對於事、物的創造發明能力
真實(HONESTY)：對現在社會的洞察力
創造(INNOVATION)：開拓未來的構想力
魅力(ESTHETICS)：對富足生活文化的想像力
倫理(ETHICS)：對社會、環境的思考能力。
如果要以一句話來概括以上內容，那就是「秉持高倫理道德標準，看清事物本質，從事有益人類、充滿魅力的創造性活動。」無論追求的「富足」本質如何變化，這個理念都是一貫不變的。
此外，這句話也是優良設計獎的行動指南，更是優良設計獎所謂「優良設計」的定義。
-優良設計獎 GOOD DESIGN AWARD
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這個作品將植物作為一種藝術作品、也是一種面對當代空間環境的論述！
作品中雖然是一系列以原生植物所建構的櫥窗主題，但植物本身的所建構細微的存在感和空間感，以及在其微觀地景中所介入的人工物件，的確再現了自然環境多元豐富的獨特性，但也顯現了當代環境所面對的各種生態關係和挑戰。這個作品讓人強烈地感受到藝術和環境之間存在的詩意，及其面臨的挑戰！
-優良設計獎 GOOD DESIGN AWARD 評審語
Explain the outline of the entry briefly.
[ FUTURE MUSEUM: The Missing Part] 重塑十三種因為未來環境變遷而可能消失於地表的物種棲息地，包含自然地景、地形、地質、土壤等等，是自然萬物的生存命脈。在一百年以後，我們的後代也許只能透過櫥窗之後被展示的仿真藝術裝置，欣賞已經消逝的自然之美，如同 未來博物館 的系列作品一樣。
[ FUTURE MUSEUM: The Missing Part] transplants 13 habitats of threatened species that might have been perished in near future due to global environmental change. From terrain, geology, soil, plant to animal, every life form and substance with in the connotation of landscape are lifeblood to Mother Nature. However, 100 years from now, our offspring may probably only be able to pry into the possibly irretrievable beauty of nature in mimicked installation arts. FUTURE MUSEUM vividly links us to the possible future where natural environment might only be exhibited behind the windows.
The reason/ background the design was invented
本次與愛馬仕的合作案，描繪大自然的野性與脆弱是創作的初衷，進而凸顯大眾最能輕易理解的自然造型之美。接著，呈現時間遞嬗的概念，也是我們十分重要的創作思考，所以，透過玻璃櫥窗，展示瀕臨消失的動植物棲地景觀的、結合自然與時間的最美瞬間，就成為了我們的創作主軸。FUTURE MUSEUM 的系列作品，同時呼應愛馬仕對於生態保護價值的關注，我們希望這些作品，可以讓愛馬仕的品牌消費者，發揮他們對於社會議題的正面影響力量。
In this work supported by Hermes, the unique wilderness and fragileness of Mother Nature are the original concepts we want to deliver. They are the most adorable art that everyone can possess freely. Time is another great form of art, that shapes every living thing with various looks in its various life circles. We also want to demonstrate a momento-shot of the endangered landscapes in their most beauties that might only be appreciated behind the window glass in the future. Hermes has included Eco-protection in their brand values for long, and this installation art is perfectly embracing this concept and communicate with the brand’s consumers along with more social units these people can influence.
The intention of the designer
質物霽畫不僅是一個關於植物藝術的美學品牌，更希望與觀者產生共鳴，引導大眾對現今的社會現象進行討論。如同 FUTURE MUSEUM 這個系列作品，透過異於傳統思維的植物藝術表現，利用永生植物或人造材料，重現瀕危的地景地貌，提出世間自然之美即將消逝的警訊。質物霽畫企圖突破現今植物藝術的窠臼，讓花卉與植物不只是生活的裝飾，更可以帶來更多精神與哲學上的力量與養分。
BOTANIPLAN VON LICHT is not just about botanical aesthetics. We try to dig into the deepest matter that could touch the visitors’ minds. We wish that our work could not just be related to the beauty of plants, but to arouse discussions of social values. For example: FUTURE MUSEUM, in which we wish to alert about the extinction of the great beauty of nature. Apart from traditional floriculture, we use non-living materials to mimic natural sceneries. Its controversial appeals our intention to change the stereotype of floral and botanical art nowadays. In our opinions, floral and botanical art shouldn't be considered simply as space decor, but to bring us more power and energy we need, mentally or philosophically.
* 質物霽畫 BOTANIPLAN VON LICHT 已於2018更名為 質物霽畫 BOTANIPLAN VON LEE CHI。
BOTANIPLAN VON LICHT renamed BOTANIPLAN VON LEE CHI in 2018.
